![]() The game also proved to be his swan song as sole composer for the series Uematsu’s participation in future Final Fantasy titles dwindled to nothing leading up to his departure from Square-Enix for freelance work some sources have attributed this move to exhaustion after such a daunting project.įinal Fantasy IX saw Uematsu returning to the leitmotif style he had abandoned in the previous game, and each member of the game’s primary cast receives a signature theme, almost all of which are further developed with variations. Uematsu had never written anything so massive before, and in fact the score remained his longest project until the only partially released Final Fantasy XIV over a decade later. Despite generous development time of nearly a year, Final Fantasy IX proved a challenging project for the composer, who single-handedly penned an astonishing 160 tracks of music, clocking in at over five hours once looped and pressed to disc. ![]() Returning for his ninth consecutive Final Fantasy was Nobuo Uematsu, sole composer of all eight previous games int he series, whose participation had never really been in doubt. The title was a success, though somewhat less so than its immediate predecessors, confirming that the move toward more realistic character models and extensive cinematic action that had begun with Final Fantasy VIII would continue through Final Fantasy XV and the series’ foreseeable future. With a lighter tone (albeit with plenty of darkness) and more character-based humor–and stronger characters–the game was a reaction to the excesses of Final Fantasy VIII and the last time that anything like the steampunk setting that had defined the first six installments of the series would appear in a single-player game. The last of three Final Fantasy titles released for the PlayStation 1, Final Fantasy IX was a game that harkened back to the series’ roots, with characters and a story filled with references to earlier games. ![]()
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